Good News!
Aug. 4th, 2009 03:05 pmSo ... been a pretty interesting last few days.
All of a sudden, the phone has been ringing with job news. First of all, the agency I had the interview with last week got me a proper interview with a medicolegal firm in Oxford Street. Cue panic because I didn't really have anything to wear to an interview with anyone that swank. I mean, sure, I have the suit jacket and nice tops and black skirts, but the skirts are the major problem - most of them are several years old. My good linen one is starting to wear see-through thin in places, and most of them are too loose. However, Mum was kind enough to send shopping money and has taken a half-day tomorrow to take me to get more stuff and get my hair done. Which is good because while I finally found a couple of decent skirts after an hour of shopping (and this town is not that big), I couldn't find a decent bra for love nor money. Plus with any luck I'll be able to sneak in a trip to Lush and/or Body Shop for decent face scrub. I'll be so glad to be able to afford that sort of thing on my own...
In any case, immediately after the interview in London got arranged, I got a call from a local agency for a sign-in interview and chat. I went, explained that there was something big in the pipeline and was wished all the best of luck but told to please ring them if it didn't work out because they'd be able to find me something local with no problem at all. Things are starting to go really well, so I am keeping my fingers crossed that they stay going well.
Sunday, I went to see Waiting for Godot with Patrick Stewart, Ian McKellan, Simon Callow and Ronald Pickup (Vladimir, Estragon, Pozzo and Lucky respectively). I've always loved that play but ... I guess in a kind of a pretentious way. I knew it was supposed to be a dark comedy but I didn't know how bleakly funny it could be until I saw it performed. I think Beckett's one of those things you really need to see performed to get any kind of feel for it at all, kind of like Shakespeare - the bulk of language and even the incredibly detailed stage direction Beckett gives distracts from the characterisation and it takes an actor to really give it something. And yes, Callow was born to play Pozzo; I didn't realise who it was going to be until we got to the theatre, actually (I sometimes just don't pay attention) but given the types of characters I've seen him play in things like Amadeus and Four Weddings ... yes, that bit of casting was inspired. Most amusing tidbit of trivia I got from the programme was that Callow, the youngest of the bunch, worked ticket counters before he started acting professionally, and sold tickets to performances starring all three of his co-stars in this production before taking the stage himself. Anyway, I had a fabulous time.
In other news, potentially less interesting to most people ... I reactivated my FFXI account yesterday. The updates are loading now, and I probably won't be able to play tonight (the updates will take hours but it's an old disc so there's a lot to update) but I'm glad that, after some finangling, I was able to get my main character back. Satomi the Intrepid Deathgnome (and Lifegnome, and Chefgnome, and All-Singing, All Dancing Buffgnome, and Boogiegnome, and Beastgnome, and Kleptognome, and... I've unlocked a lot of jobs, haven't I?) is coming back! Woooooooooo!
And a note for
tyrell, who asked about this via Twitter: ( A brief summary of why I like FFXI, and why I recommend it to all my friends )
Okay, that's enough whittering. I'm making myself unhappy just thinking about it; it's another four and a half hours before my updates come down the pipe.
In any case, suffice to say that it's nice to have good news for a change. There'll be more of it at some later point, but I don't know how much of it there'll be. Time will tell, but things are definitely looking up. I know I shouldn't say that for fear of jinxing my life, but ... c'mon, I have to be positive sometimes, no?
All of a sudden, the phone has been ringing with job news. First of all, the agency I had the interview with last week got me a proper interview with a medicolegal firm in Oxford Street. Cue panic because I didn't really have anything to wear to an interview with anyone that swank. I mean, sure, I have the suit jacket and nice tops and black skirts, but the skirts are the major problem - most of them are several years old. My good linen one is starting to wear see-through thin in places, and most of them are too loose. However, Mum was kind enough to send shopping money and has taken a half-day tomorrow to take me to get more stuff and get my hair done. Which is good because while I finally found a couple of decent skirts after an hour of shopping (and this town is not that big), I couldn't find a decent bra for love nor money. Plus with any luck I'll be able to sneak in a trip to Lush and/or Body Shop for decent face scrub. I'll be so glad to be able to afford that sort of thing on my own...
In any case, immediately after the interview in London got arranged, I got a call from a local agency for a sign-in interview and chat. I went, explained that there was something big in the pipeline and was wished all the best of luck but told to please ring them if it didn't work out because they'd be able to find me something local with no problem at all. Things are starting to go really well, so I am keeping my fingers crossed that they stay going well.
Sunday, I went to see Waiting for Godot with Patrick Stewart, Ian McKellan, Simon Callow and Ronald Pickup (Vladimir, Estragon, Pozzo and Lucky respectively). I've always loved that play but ... I guess in a kind of a pretentious way. I knew it was supposed to be a dark comedy but I didn't know how bleakly funny it could be until I saw it performed. I think Beckett's one of those things you really need to see performed to get any kind of feel for it at all, kind of like Shakespeare - the bulk of language and even the incredibly detailed stage direction Beckett gives distracts from the characterisation and it takes an actor to really give it something. And yes, Callow was born to play Pozzo; I didn't realise who it was going to be until we got to the theatre, actually (I sometimes just don't pay attention) but given the types of characters I've seen him play in things like Amadeus and Four Weddings ... yes, that bit of casting was inspired. Most amusing tidbit of trivia I got from the programme was that Callow, the youngest of the bunch, worked ticket counters before he started acting professionally, and sold tickets to performances starring all three of his co-stars in this production before taking the stage himself. Anyway, I had a fabulous time.
In other news, potentially less interesting to most people ... I reactivated my FFXI account yesterday. The updates are loading now, and I probably won't be able to play tonight (the updates will take hours but it's an old disc so there's a lot to update) but I'm glad that, after some finangling, I was able to get my main character back. Satomi the Intrepid Deathgnome (and Lifegnome, and Chefgnome, and All-Singing, All Dancing Buffgnome, and Boogiegnome, and Beastgnome, and Kleptognome, and... I've unlocked a lot of jobs, haven't I?) is coming back! Woooooooooo!
And a note for
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Okay, that's enough whittering. I'm making myself unhappy just thinking about it; it's another four and a half hours before my updates come down the pipe.
In any case, suffice to say that it's nice to have good news for a change. There'll be more of it at some later point, but I don't know how much of it there'll be. Time will tell, but things are definitely looking up. I know I shouldn't say that for fear of jinxing my life, but ... c'mon, I have to be positive sometimes, no?